dadaismism From Dada Manifesto [1918] and Lecture on Dada [1922], translated from the french by Robert Motherwell, *Dada Painters and Poets*, by Robert Motherwell, New York, pp. * in that respect is a literature that does non reach the voracious mass. It is the usage of creators, issued from a real necessity in the author, produced for himself. It expresses the knowledge of a dogmatic egoism, in which laws wither away. Every page must(prenominal) explode, either by profound heavy seriousness, the whirlwind, poetic frenzy, the brisk, the eternal, the annihilating joke, earnestness for principles, or by the way in which it is printed. On the unity hand a tottering man in flight, affiance to the glockenspiel of hell, on the other hand: new men. Rough, bouncing, move on hiccups. Behind them a crippled world and literary quacks with a mania for improvement. I say unto you: thither is no generator and we do not tremble, we are not sentimental. We are a furious Wind, tearing the dirty linen paper of clouds and prayers, preparing the great spectacle of disaster, fire, decomposition.* We provide put an end to mourning and alternate tears by sirens screeching from one continent to another. Pavilions of raging joy and widowers with the melancholy of poison. Dada is the signboard of abstraction; ad and business are also elements of poetry.
I destroy the pants of the brain and of social musical arrangement: spread demoralisation wherever I go and gag my hand from nirvana to hell, my eyes from hell to heaven, restore the rich wheel of a universal circus to objective forces and the inclination of every individual. ism is the question: ! from which side shall we look at life, God, the brain or other phenomena. Everything one looks at is false. I do not consider the relative result more important... If you desire to larn a full essay, order it on our website:
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