An Evaluation of the Work of Jan Svankmajer :: essays research papers

An Evaluation of the Work of Jan SvankmajerJan Svankmajer is an animator alike no other that I know of. Surrealist in style, his artistic lay down encompasses a broad range of mediums- film, sculpture, painting, graphic design, prose and poetry. His filmic work often involves a combination of animation, puppetry and live action- a challenging style for any film maker to use effectively. Svankmajer films are by trademark dark and macabre tales, told non for the sake of aesthetic or technique, but always to serve a very personal purpose, which I will talk about shortly.In this essay, I will deal mainly with the work that Svankmajer performd as an animator. To regularize it in context, however, I will first give a unprocessed overview of his background and the work for which he is best known.Svankmajer was born in Czechoslovakianoslovakia in 1934. His parents were both artistically inclined his father was a window authority while his mother was a dressmaker. later studying pup pet field of view for four years in Prague, Svankmajer began his career as a director, cause and puppeteer at the State Puppet Theatre in Liberec. During the Early mid-sixties he collaborated with several(prenominal) different theatre companies in Prague to stage a variety of plays.In 1964 his interests turned to filmmaking. In this medium he tangle that more would be possible technically, and that his work would reach a wider audience. After creating various award-winning short films like The Last Trick, his work underwent a decisive transition from Mannerism to Surrealism in 1968. As a surrealist Svankmajer would create many highly acclaimed films involving animation and live action.Svankmajers work became contact by political controversy with the making of the film Antonios journal (1972). The film was not intended to have political meaning, but the Czech authorities banned him from making films for seven years simply because it contained unauthorised footage depicting everyd ay Czech life. Dimensions of Dialogue (1982) became his best-known short, and won several international awards. Like Antonios Diary, however, it was banned in Czechoslovakia, and was also shown to the ideology commission of the Central Committee of the Czechoslovak Communist Party as an pattern of the kind of film that should not be made. Alice (1985-87), based on the defend by Lewis Carol, was Svankmajers first feature film, and his first to reach an American audience. Since then he has made two more feature-length films Faust (1993) and Conspirators of Pleasure (1996).