John Singleton Copleys interpretation of a horrifying disaster in Brooke Watson and the shark stands out as a romanticised horror video. Watson and the Shark, an oil on canvas painting, was completed in 1778 and belongs to the 18th Century American political period. The painting is an oil on canvas and stands 182 cm tall and 230 cm wide. It can be found in the National movement of Art in Washington .The interpretation was inspired by an event which took place in Cuba in 1749,a fourteen year-old son ,by the name of Brook Watson was swimming unaccompanied in the control where he was antiaircrafted by a huge Tiger shark. His laddie shipmates ,who had been on board at the time launched to his rescue .As the sailors zip to Watsons aid the shark repeatedly attacked the struggling boy. The shark then(prenominal) proceeded to bite Watsons foot off at the ankle. Copley chooses the illustrate the trice with the highest dramatic intensity; the moment before the potentially blackened attack.Its function is to communicate a message through the heathen and subjective frames, it makes the viewers feel for the boy while at the same time informing people about the dangers associated with sharks.
For Watson, the attack and recovery symbolised his triumph over misfortune, and he hoped that the painting would exit a most useful Lesson to Youth.
The serene harbour prognosis in the background serves as a foil for the raging action taking place in the foreground, Other forcible features in the foreground include the size of the shark extending furthest beyond the boundaries of the picture frame, the movement of the boat towards the boy and the savage thrust of the boat hook. Copley uses variation in line and texture to exaggerate the sensation of the churned up water in...
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