In William Shakespeares play Macbeth, the title character is a killer. Through the dividing line of the play, he kills five different people or groups of people, ane in each act. These are, respectively, Macdonwald, Duncan, Banquo, Macduffs family, and Young Siward. These five cleansings are different. In the beginning, Macbeth kills for his king. He then suffers a fall from grace beforehand finally becoming a noble figure over again in the end. But more interesting than this process is the guidance in which Shakespeare shows us the changes in Macbeths character. Shakespeare uses the killings as a anatomy of barometer to illustrate these changes.
Before the play begins, Macbeths Scotland and Norway fight a war. In this war, Macbeth is a hero, admired for his courage and strength:
But alls too weak;
For barefaced Macbeth (well he deserves that name)
Disdaining Fortune, with his brandished steel,
Which smoked like bloody execution,
Like valors minion, carved out his passage
Till he faced the slave;
Which neer shook hands, nor bid farewell to him
Till he unseamed him from the nave to th chops
And fixed his head upon our battlements. (Captain, 1.2.17-25)
The killing that the Captain describes here is Macbeths most heroic killing. The Captain admires him for his notable bravery.
The other members of the Scottish court continue in evaluate him. Macbeths motive for killing here is, unlike all his after murders, not a personal reason. It is a selfless, courageous, heroic doing that is thought to be able to save Scotland from utter destruction. Shakespeare uses this killing to introduce the audience to Macbeth. Here, we see Macbeth as a hero. This is maybe the most potent way in which Shakespeare could introduce Macbeths valour to us. What could be more heroic than killing for ones king?
Similarly, what...
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